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Such a supposition is not mere fantasy, for it is known that in past ages the river flowed much closer to the edge of the plateau, while evidence of a sacred lake and dock dated to Old Kingdom times have been found beyond the plateau's western limits.To the Elder gods this would have signified the primeval sea of chaos out of which the first land emerged at the beginning of time.Such a conclusion might seem beyond comprehension, but this present author has uncovered hard evidence to demonstrate that Tibetan monastic communities as late as the present century were in possession of a sonic technology that included the creation of weightlessness in stone blocks and the destruction of physical matter using ultrasound vibration.
In the shallow waters was a small island, symbolizing the Point of First Creation, crowned with a simple stone structure that proclaimed its immense sanctity.They are also said to have had radiant faces that must have made them quite striking in appearance.This strange menagerie of divine beings, who were said to number sixty, are spoken of as These were first noticed during seismic soundings of the hard bedrock by two research programmes, one led by seismologist Thomas Dobecki in 1991 and the other coordinated in 1996 by the University of Florida in association with millionaire Joseph Schor, a life-long member of the Edgar Cayce Foundation (see below).Over the past 200 years many hundreds of books have been written about the mysteries of the Great Pyramid, most of them more fantasy than fact.
Yet shining through all of them is a hardcore of evidence which shows that the pyramid builders were privy to universal knowledge far beyond that accredited to the ancient Egyptians who lived around 4500 years ago, the time-frame in which the pyramids are said to have been built. The Great Pyramid is considered to have been built as an exact geodesic representation of the earth's northern hemisphere.He also found that the pyramid builders used highly specialized drilling techniques to bore perfect holes in hard granite, lathe-finish beautiful bowls in tough diorite and fashion exquisite stone vases with openings no larger than a little finger.